Periferry creates a network space for negotiating the challenge of contemporary cultural production, which has become a necessary component of organising social action. Working with multi-use spaces and structures that are adaptable, it has appropriated a redundant and dysfunctional space. In a state of disuse, space becomes liminal and opens up to new interpretations; this leads to the emergence of what Foucault calls ‘heterotopias’. Foucault describes the ship as the ultimate ‘heterotopia’, a fragment of space that contests or compensates for the spaces we usually live in.
The project is rooted in the community context and lays emphasis on participation, dialogue, and action. It provides a connective platform for dialogue across artistic, scientific, technological, and ecological modes of production and knowledge.
About the artist
Collaborating since 2004 as Desire Machine Collective, Sonal Jain and Mriganka Madhukaillya assume their name and theoretical disposition from Anti-Oedipus: Capitalism and Schizophrenia. They were a part of the inaugural Indian Pavilion at the 54th International Art exhibition of the Venice Biennale and exhibited at Guggenheim Museum, NY; Tate Modern; Palais de Tokyo; MAXXI Museo Nazionale delle Arti del XXI Secolo, Rome etc.